May 12, 2024
OPERA America's 2024 Opera Grants for Women Stage Directors and Conductors
The grant opens doors for women artists by incentivizing professional opera companies of all sizes to engage women in key artistic roles.
April 19, 2024
The University of Michigan School of Music, Theatre & Dance announces that Chía Patiño will join the Department of Voice & Opera as an assistant professor in the fall of 2024. She brings extensive directing experience, having worked with opera companies in the US, Spain, Ecuador, Colombia, Guatemala, Chile, México, Brazil, Nicaragua, United Arab Emirates, and Egypt.
February 25, 2024
(…) Amazonisch-musikalischer Farbenreichtum à la Puccini und Debussy.
Eine Premiere der ganz besonderen Art! Die Ópera de Tenerife in der Hauptstadt Santa Cruz führte in einer Produktion des Auditorio de Tenerifezum ersten Mal eine lateinamerikanische Oper auf. Und es wurde gleich eine spanische Erstaufführung! „Florencia en el Amazonas“ des Mexikaners Daniel Catán wurde in Europa bisher nur in Deutschland und der Schweiz aufgeführt, während das Werk in der westlichen Hemisphäre schon über viele Bühnen gewandert ist.
Nach dieser Premiere der Catán-Oper mit dem Libretto von Marcela Fuentes-Berain, die aus dem magischen Realismus von Gabriel García Márquez in seinem Roman „Die Liebe in den Zeiten der Cholera“ schöpfte, fällt es einem schwer zu verstehen, warum das Werk erst nun in Spanien zu erleben ist, und dazu noch auf den vom Festland weit entfernten Kanarischen Inseln, die dem Amazonas aber immerhin etwas näher sind. Aber bis auf zwei Länder also war es bisher noch unbekannt in Europa!
November 17, 2023
(…) Florida Grand Opera’s opening night of La traviata this month at the Adrienne Arsht Center in Miami was nothing short of a transcendent experience. Under the guidance of their new Interim Creative Director, Maria Todaro, the production unveiled a mesmerizing rendition of Verdi’s timeless masterpiece. Adapted from Dumas’ novel and play La Dame aux Camélias, this opera, with its premiere dating back to 1853, continues to captivate audiences worldwide with its emotional depth and poignant storytelling.
(…) The creative genius behind the scenes was equally praiseworthy. Conductor Joe Illick orchestrated Verdi’s score with finesse, creating a symphonic backdrop that heightened the emotional impact of each scene. Director Chia Patiño’s vision brought a fresh perspective to this classic, breathing new life into the narrative. Costume designer Allen Charles Klein’s creations were visually stunning, complementing the characters and their emotions, while lighting designer Rick Fisher painted the stage with evocative lighting, enhancing the ambiance and drama.
November 20, 2023
Violetta’s Triumph: a conversation with La Traviata stage director Chía Patiño
FGO - Florida Grand Opera
“I am completely in love with the courtesans,” declares Ecuadoran stage director and composer Chía Patiño. “They are so aware of who they are.”
Patiño, who directed her first professional production of La traviata (her first was for Indiana University) at Florida Grand Opera this season, was well-prepared. She recently traveled to Paris, where she delved deeply into the opera’s fascinating world of the extravagant, glamourous 19th-century courtesans and their moneyed patrons.
November 18, 2023
La traviata en Miami
Pro Ópera
La directora de escena ecuatoriana Chía Patiño debutó en la Florida Grand Opera (FGO) ofreciendo una versión tradicional y coherente, si bien no exenta de algunos detalles novedosos, especialmente en el último acto. Cabe citar, entre ellos, la entrada de todo el jolgorio del carnaval parisino y sus disfraces en el aposento de Violetta, a modo de alucinación onírica de la protagonista. Además, se escuchó la voz de Giorgio Germont leyendo la carta que le escribió a Violetta, informándole del desenlace del duelo, en lugar de ser ella misma quien repasara su lectura. Por último, y quizá el elemento más novedoso, señalar que Violetta no muere, al menos visualmente, en brazos de Alfredo, sino que la ópera concluye con la protagonista caminando, con apariencia fantasmagórica, hacia una potente luz lateral.
November 12, 2023
FGO opens a transition season with a fresh and impassioned “Traviata”
South Florida Classical Review
Verdi’s La Traviata is one of the most beloved and timeless masterpieces of the operatic repertoire. Based on the novel and play The Lady of the Camellias by Alexandre Dumas, the opera relates the story of the courtesan Violetta Valery through some of Verdi’s most memorable melodies.
The score is one of the pinnacles of the composer’s middle career period and Florida Grand Opera offered a freshly conceived production and talented cast at the opening of its 82nd season on Saturday night at the Arsht Center in Miami.
Cecilia Violetta López fully embodied the role of Violetta with a bright, accurate soprano and mesmeric dramatic portrayal. This heroine was less a tragic figure than a woman who was living life to the fullest, burning the candle at both ends until the fire went dark.
October 10, 2023
From the Florida Grand Opera Newsroom: “Ecuadoran stage director, conductor, and composer Chía Patiño makes her FGO with La traviata. Most recently, she directed Don Giovanni for the Aspen Music Festival and the Butler Opera Center, where she also directed her own adaptation of The Magic Flute: La Flauta Mágica de los Andes; Florencia en el Amazonas for Opera Tenerife, Orpheus & Eurydice for Seattle Opera, Suite Española: Exploring Iberia and Exploring the Caribbean for Houston Grand Opera, La Cenerentola and Tosca for Northern Lights Music Festival. Her work has been produced in the United States, Spain, Ecuador, Colombia, Guatemala, United Arab Emirates, and Egypt.”
MIAMI
Adrienne Arsht Center for the Performing Arts
of Miami-Dade County / Ziff Ballet Opera House
Nov 11, 2023, at 7:00pm
Nov 12, 2023, at 2:00pm
Nov 14, 2023, at 8:00pm
FORT LAUDERDALE
Broward Center for the Performing Arts / Au-Rene Theater
Nov 30, 2023, at 7:30pm
Dec 2, 2023, at 7:30pm
July, 12, 2023
La Tragédie de Carmen- Performance Date: July 20 in Norton Hall
Almost 100 years after the premiere of Bizet’s Carmen, visionary director Peter Brook transformed the grand opera into a gritty 90-minute theatrical tour-de-force. Stripped down to the story’s four central characters, and including all of Bizet’s beloved melodies, this groundbreaking adaptation packs a surprising punch.
Content Advisory: This production includes adult content- sexual intimacy, and themes of violence- and may not be suitable for children under the age of 13.
February, 9 , 2023
Chautauqua Opera Company and Conservatory has announced its 2023 season.
The season kicks off with “Sweeney Todd: The Demon Barber of Fleet Street.” Steven Osgood conducts and Dennis Whiteheard Darling directs. The opera stars Kevin Burdette, Eve Gigliotti, Amanda Lynn Bottoms, Arnold Livingston Geis, Michael Colman, Angela Yam, Louis Tiemann, Felix Aguilar Tomlinson, and Brian Jeffers.
January, 29, 2023
Chautauqua Opera Company and Conservatory Announces 2023 Season
Chautauqua Opera’s 2023 season will take us on a journey from London to Seville. Both of the season’s Stage Directors make their company debuts, with Chía Patiño directing La Tragédie de Carmen and Dennis Whitehead Darling mounting Sweeney Todd: The Demon Barber of Fleet Street. Kevin Burdette sings Sweeney Todd, returning to Chautauqua for the first time since his star turn as Ko-Ko in 2016’s The Mikado. Eve Gigliotti makes her Chautauqua Opera debut as Mrs. Lovett. Chautauqua Opera Company’s commitment to fostering the ongoing careers of its former Young Artists and students from Marlena Malas’ Opera Conservatory reaches a new high in 2023. Michael Colman (Apprentice 2021), Arnold Livingston Geiss (Apprentice 2018) and Amanda Lynn Bottoms (School of Music 2015, 2016, & 2018) return as Festival Artists and are featured in leading roles. Felix Aguilar Tomlinson (Apprentice 2022), Brian Jeffers (Studio Artist 2019) and Marquita Richardson (Conservatory 2022) return along with five other Apprentice Artists to be featured in both mainstage productions and a special Opera and Pops concert with the Chautauqua Symphony Orchestra. Brian Ruggaber (Don Giovanni, 2017) returns to the company to design Sweeney Todd for the Norton Hall stage.
November, 27, 2022
Tomorrow at 6pm EST. I’m going to be chatting with @OPERAHISPANICA stop by and listen to the interview.
Mañana entrevista en @OPERAHISPANICA a las 6pm.
September, 30, 2022
"Ñemonguetá": primera ópera en guaraní se estrenó en Washington
Voz de America
“Septiembre es el mes de la herencia hispana en EEUU. En conmemoración se estrenó en Washington una ópera escrita e interpretada completamente en idioma indígena, la primera en su género, que busca llevar a la reflexión sobre temas tan actuales como la identidad y el cuidado del medio ambiente.”
September, 09, 2022
(NYT) José Mongelós in “Ñomongeta” an opera coming to the National Museum of the American Indian in New York.
Giacomo Lazzeri
"Classical Music and Opera This Fall: 59 Programs, Premieres and More"
Check out this brief profile of “ÑOMONGETA” for this fall published in the New York Times, click the button below for the full article that showcase 59 Operas and Classical Music premiers.
September, 06, 2022
La ópera en guaraní Ñomongeta deleitará en escenarios de EEUU
La ópera en guaraní denominada Ñomongeta, escrita por el compositor y director orquestal Diego Sánchez Haase, se estrenará el 18 y el 24 de setiembre en el National Museum of the American Indian con sedes en Nueva York y Washington, Estados Unidos. La obra cuenta con libreto de Modesto Escobar Aquino y epílogo de Pedro Paredez Argüello. La misma es protagonizada por el tenor paraguayo José Mongelós y dirigida por la ecuatoriana Chía Patiño.
La ópera es presentada por la Ópera Hispánica de New York, el Smithsonian National Museum of the American Indian y la Americas Society. La puesta presenta un diálogo imaginario entre un nativo y Cristóbal Colón, a 500 años de la llegada de los españoles a América, abordando temáticas siempre vigentes, como la problemática indígena y el medioambiente.
(ENG)
The opera in Guarani called Ñomongeta, written by the composer and orchestral director Diego Sánchez Haase, will premiere on September 18 and 24 at the National Museum of the American Indian with venues in New York and Washington, United States. The work has a libretto by Modesto Escobar Aquino and an epilogue by Pedro Paredez Argüello. It is starring the Paraguayan tenor José Mongelós and directed by the Ecuadorian Chía Patiño.
The opera is presented by the Hispanic Opera of New York, the Smithsonian National Museum of the American Indian and the Americas Society. The staging presents an imaginary dialogue between a native and Christopher Columbus, 500 years after the arrival of the Spaniards in America, addressing ever-current themes, such as indigenous problems and the environment.
August, 18, 2022
Livestream: Mozart's Don Giovanni
“The magnificent singers of the Aspen Opera Theater and VocalARTS program bring a special staging of Mozart’s spectacular opera to the Benedict Music Tent. Based on the legend of Don Juan, this comedy and morality tale wrapped in one tells the story of an irresistible yet irredeemable playboy whose escapades lead him along a path to his own destruction. Hand-picked for the program by Fleming and Summers, the talented student artists of AOTVA are already performing on stages around the world.”
Aspen Music, Festival and School
(ESP) Los magníficos cantantes del Aspen Opera Theatre y el programa VocalARTS traen una puesta en escena especial de la espectacular ópera de Mozart a Benedict Music Tent. Basado en la leyenda de Don Juan, este cuento de comedia y moralidad envuelto en uno cuenta la historia de un playboy irresistible pero irredimible cuyas escapadas lo llevan por un camino hacia su propia destrucción. Seleccionados cuidadosamente para el programa por Fleming y Summers, los talentosos estudiantes artistas de AOTVA ya se están presentando en escenarios de todo el mundo. Para mayor información y acceso al streaming, haz click en el botón.
Aspen Music, Festival and School
August, 11, 2022
Don Giovanni
Notorious opera takes the AMFS stage
“Based on the legend of Don Juan, and directed by Chía Patiño, this comedy and morality tale “tells the story of an irresistible yet irredeemable playboy whose escapades lead him along a path to his own destruction,” according to the AMFS website. The opera was selected by Renée Fleming and Patrick Summers, as were the student artists of AOTVA.
Recently, Jane Glover sat down for an interview with the AMFS president and CEO, Alan Fletcher, for a recording of the program “High Notes,” in partnership with Aspen Public Radio, to talk about the opera and the famous story within it.”
March, 29, 2022
Daniel Catán, Florencia en el Amazonas
Orquesta Sinfónica de Tenerife / Dirección musical: Pedro Halffter / Dirección de escena: Chía Patiño / Diseño de escenografía: Izmir Ickbal / Diseño de vestuario: Felype de Lima / Diseño de iluminación: Erin Flemming
(ENG)
With Florencia in the Amazon, Ópera de Tenerife introduces Latin American compositions. This opera is programmed for the first time in Spain, after an extensive tour of the opera houses of Latin America and only two presences in Europe (Germany and Switzerland). The creation of Mexican Daniel Catán, with a libretto by Marcela Fuentes-Berain, premiered in 1996 and tells of different ways of living love through a boat trip through the Amazon.
(ESP.)
Con Florencia en el Amazonas, Ópera de Tenerife se introduce en las composiciones latinoamericanas. Esta ópera se programa por primera vez en España, tras un amplio recorrido por las casas de ópera de América y solo dos presencias en Europa (Alemania y Suiza). La creación del mexicano Daniel Catán, con libreto de Marcela Fuentes-Berain, se estrenó en 1996 y cuenta distintas formas de vivir el amor a través de un viaje en barco por el Amazonas.
March 29, 2022
Galería de imágenes Florencia en el Amazonas
¡El Dorado partió y nos dejó una serie de memorias maravillosas! y yo… parqueada en el muelle, esperando viajar pronto a casa. Agradecimiento eterno a mi equipo creativo: Alejandra Prieto, Felype de Lima, Izmir Ickbal, Erin Fleming, Beth Krynicki, Maestro Pedro Halffter, Marcela Fuentes-Berain, cada uno de los cantantes y todo el equipo musical, por supuesto a todo el enorme y maravilloso equipo de Ópera Tenerife, en fin quedan memorias eternas, y mucha gratitud por tanto.
March 28, 2022
Sin noticias del cazador de mariposas
“De esta producción, es necesario destacar de forma indiscutible el excelentísimo trabajo realizado por todo el equipo artístico y técnico. Bajo la dirección de Chía Patiño, la escenografía a manos de Izmir Ickbal, el diseño de vestuario por Felype de Lima, el diseño de iluminación a cargo de Erin Fleming y el diseño y dirección de marionetas por Alejandra Prieto, consiguieron que el escenario se convirtiera en sí mismo en un mundo mágico y armónico donde todo podía pasar. Como Patiño expresó, querían que el espectador visualizara por sí mismo los paisajes que la historia recorrería. Buscaron apelar a la imaginación de cada uno y con pocos y sencillos elementos, lograron hacernos embarcar en ese viaje de ensueño, con Florencia y sus compañeros de aventuras a nuestro lado, sobre la cubierta de ese maravilloso barco de vapor”.
March 28, 2022
La exuberancia de Florencia en el Amazonas contagia el Auditorio de Tenerife
Bachtrack por Francisco Martínez Ramos, 28 marzo 2022
Ópera de Tenerife ha presentado Florencia en el Amazonas, obra del compositor mexicano Daniel Catán, con libreto de Marcela Fuentes-Berain. Estrenada mundialmente en 1996, se trata de una obra tonal y ecléctica, de gran interés y con momentos sobrecogedores. Esta ópera, cuyas funciones en el Auditorio de Tenerife han supuesto su estreno en España, tiene una orquestación brillante y llena de colorido, además de una escritura vocal que permite mucho lucimiento a los cantantes. El libreto, inspirado en el realismo mágico de Gabriel García Márquez, es también rico y variado, centrándose no solo en los aspectos externos y exuberantes sino, sobre todo, en los complejos estados psicológicos de los personajes.
March 28, 2022
Estreno español de una joya de Daniel Catán
Noticia, Ópera Actual – Estrella Ortega
Otra interesante obra que ha presentado Ópera de Tenerife en esta temporada, en este caso, del compositor, escritor y profesor mexicano Daniel Catán (1949-2011), ha sido Florencia en el Amazonas, programada por primera vez en España. La obra, que acumula casi una veintena de montajes desde su estreno en 1996 en Houston, únicamente sumaba dos presentaciones en Europa, concretamente en Alemania y Suiza. Florencia demostró la pasión y originalidad que confería este compositor a sus obras, las cuales luchan por mantenerse en el repertorio. El libreto pertenece a la escritora mexicana Marcela Fuentes Berain y refleja ese movimiento de la literatura iberoamericana conocido como realismo mágico.
Para la directora de escena Chia Patiño la selva y el Amazonas son lugares que despiertan miedo, luces, sombras y una infinidad de sonidos, pero también sueños. Es lo que refleja su puesta en escena en esta nueva producción: frescura, una paleta multicolor, contrastes lumínicos, vegetación y un barco desestructurado que se adapta a las necesidades de la trama.
March 24, 2022
Se estrena en Tenerife la ópera 'Florencia en el Amazonas'
El Auditorio de Tenerife pone en escena estos días la ópera Florencia en el Amazonas, una obra inspirada en el realismo mágico de Gabriel García Márquez. Precisamente fue él quien recomendó a una colaboradora para redactar el libreto.
Con Florencia en el Amazonas, Ópera de Tenerife se introduce en las composiciones latinoamericanas. Esta ópera se programa por primera vez en España, tras un amplio recorrido por las casas de ópera de América y solo dos en Europa, en Alemania y Suiza. La creación del mexicano Daniel Catán, con libreto de Marcela Fuentes-Berain, se estrenó en 1996 y cuenta distintas formas de vivir el amor a través de un viaje en barco por el Amazonas.
March 22, 2022
Magical Realism Arrives at Tenerife with the Première in Spain of Florencia in the Amazon
Magical realism arrives at Tenerife with the première in Spain of “Florencia in the Amazon”. The opera, by the Mexican composer Daniel Catán (1949-2011) is produced by Auditorio de Tenerife with the help of a local and Latinamerican professional team. This title is promoted by Opera de Tenerife. The shows take place on the 22nd, 24th and 26th of March at 7:30 p.m. at the Symphony Hall of the venue.
“Love in the Time of Cholera” and “One Hundred Years of Solitude” are some of the works by Gabriel García Márquez that have inspired this story by Marcela Fuentes-Berain. This musical homage to Gabo and his imaginary arrives at Tenerife with the Ecuadorian director Chía Patiño. She opts for real visual effects and moves away from the usual audio-visual resources, “which have been overused during these two years of pandemic”.
During this boat trip at the beginning of the 20th century to Manaus, Brazil, all want to hear the diva Florencia Grimaldi on her return to her homeland that was constructed in the middle of the jungle. Patiño explains that “we will follow this singer who longs for the past, without being very clear whether she exists or not… Is it a dream? “We have a whole ship coming to see her and I want to create doubt on the viewer as to whether the singer is real or not” explains the director, for whom it is very important to “feel the Amazon jungle, the way it affects people and vice versa”.
Patiño leads this stage show and completes her team with the North American stage designer Izmir Ickbal, the Brazilian costume designer Felype de Lima, the American lighting designer Erin Fleming and the Spanish designer and puppet master Alejandra Prieto.
For the complete article, click the link below.
January 22, 2022
Un viaje mágico a bordo de ‘El Dorado’
La ópera ‘Florencia en el Amazonas’ comienza sus ensayos con una escenografía y vestuario únicos
El Día – La Opinión de Tenerife
Falta casi un mes pero en el Auditorio de Tenerife ya se respira la magia de la siguiente cita con el calendario de Ópera de Tenerife: Florencia en el Amazonas, de Daniel Catán. El estreno de esta pieza, una apuesta por la lírica latinoamericana, tendrá lugar el próximo 22 de marzo. Se podrá ver también los días 24 y 26 sobre el escenario de la Sala Sinfónica. Los ensayos, de hecho, ya han comenzado parcialmente. Mañana se incorporarán todos los cantantes.
Artículo completo
February 10, 2022
Orpheus & Eurydice
Music by Christoph Willibald Gluck; Libretto by Ranieri de' Calzabigi
A gallery of photos from my latest stage direction for Seattle Opera’s Orpheus & Eurydice that took place at the Tagney Jones Hall Opera Centerin Seattle.
Cast: Christopher Ainslie and Key’Mon W. Murrah as Orpheus, Ariana Wehr and Shelly Traverse as Eurydice, Sharleen Joynt and Deanna Breiwick as Amore.Creative Team: Stephen Stubbs Conductor, Chía Patiño Director, Donald Byrd Chroreogtapher, Carey Wong Scenic Designer, Liesl Alice Gatcheco Costume Designer, Robert Aguilar Lighting Designer, Robertson Witmer Sound Designer, S Katy Tucker Video and Projection Designer, John Keene Chorusmaster and Philip Kelsey Arranger
September 30, 2021
In conversation with Chía Patiño, the stage director of Orpheus & EurydiceSeattle Opera.
What attracted you to Seattle Opera’s production of Orpheus & Eurydice?
“I wanted to explore our relationship with death, especially in this time of COVID. In Latin America, the pandemic has been very bad—everyone knows someone who has died from it. I lost an uncle at the very beginning of the pandemic. Then I lost a good friend. On the night, I learned that my friend had it, I prayed for his life. I had not prayed since I was 15. I started praying because he has three kids and I really wanted him to pull through. I got reports from his brother and from his wife: he was diabetic, he was connected to a ventilator, his kidneys were in bad shape, his liver was damaged, his eyesight affected, and his lungs had collapsed. If he could come back, what type of life would he have? How would his family cope? He would have a tough life. For me, I thought it best that he pass away.”
Click the button for the complete interview
December 12, 2021
Carmen Helena Téllez (1955–2021)
Original article at indiana.edu, please click the button below
It is with great sadness that the Latin American Music Center mourns the death of its former director, colleague and friend, the noted Venezuelan-American conductor, composer, and scholar Carmen Helena Téllez. She passed away at her home in South Bend, Indiana, on Friday, December 10, 2021 at 4:45pm.
Born in Caracas in 1955, Carmen studied piano and composition in Venezuela before moving to the United States, where she completed degrees at Indiana University in conducting and piano, including a Doctor of Music with Letter of Distinction in 1989. From 1987–1989 she served as Music Director for the National Chorus of Spain but returned to the US to serve as a Visiting Assistant Professor of Music and Visiting Music Director of the Handel Society at Dartmouth College. In 1992 she joined the faculty of Indiana University as Professor of Music and Director of the LAMC and the Contemporary Vocal Ensemble, serving in these roles for two decades. She also taught as an Adjunct Professor of Latin American and Caribbean Studies and was a Faculty Fellow with the Institute for Digital Arts and Humanities. In 2010 she received the Tracy Sonneborn Distinguished Professor Award for Creativity in Research and Teaching. Under her direction, the LAMC established a recording competition in conjunction with the Office of Education and the Embassy of Spain to champion works by Latin American and Ibero-American composers.
October 28, 2021
Alexandria Symphony Micro-Grant Winners Announcement
I’m exited to share the recording of my composition Wild Swans, one of the winners of the Alexandria Symphony Micro-Grand Program, for more information and details of the announcement please fallow this link
Claudia Chudacoff and Jane Stewart, violins
Eric deWaardt, viola
Schuyler Slack, cello
Alan Wonneberger, recording
Originally commissioned and premiered by the Princeton Festival in June 2017 to wonderful reviews as an art-music video, Dreaming/Undreaming will be presented at Ear Taxi in a new mixed media version, with pianist Natasha Stojanovska playing live while the art videos by Camilla Tassi and Ryan Belock are projected in real time, featuring dramaturgy by Chia Patiño and movement by Alexa Capareda.
There will be two versions of this project. In the first concert on Saturday, September 18 at 7:30 pm, Dreaming/Undreaming will deliver the relationship between videos and the music originally designed by the project creators. In the second concert on Sunday, September 19 at 3 pm, the audience will be asked to select the order of the videos to accompany the music. Adventurous audiences are encouraged to attend both versions, to enjoy the diversity and surprises of perception once the video sequence is changed between them. All ticket-holders will be able to enter a website afterwards and watch both the Princeton and the Chicago versions of Dreaming/Undreaming to compare the experiences! Learn more about Kosmologia and Dreaming/Undreaming here!
Dates and Times:
Saturday September 18, 7:30 pm / Sunday, September 19, 3 pm
September 10, 2021
Dreaming/Undreaming
September 18 and 19, 2021 - Ear Taxi Festival in Chicago
(ESPA) Dreaming / Undreaming, originalmente encargado y estrenado por el Festival de Princeton en junio de 2017 con excelentes críticas como un video musical artístico, se presentará en Ear Taxi en una nueva versión de medios mixtos, con la pianista Natasha Stojanovska tocando en vivo mientras los videos artísticos de Camilla Tassi y Ryan Belock se proyectan en tiempo real, con dramaturgia de Chia Patiño y movimiento de Alexa Capareda. Habrá dos versiones de este proyecto. En el primer concierto el sábado 18 de septiembre a las 7:30 pm, Dreaming / Undreaming entregará la relación entre los videos y la música originalmente diseñada por los creadores del proyecto. En el segundo concierto el domingo 19 de septiembre a las 15 horas, se pedirá al público que seleccione el orden de los videos para acompañar la música. Se anima al público aventurero a asistir a ambas versiones, para disfrutar de la diversidad y las sorpresas de la percepción una vez que se cambia la secuencia de video entre ellos. ¡Todos los poseedores de boletos podrán ingresar a un sitio web después y ver las versiones de Princeton y Chicago de Dreaming / Undreaming para comparar las experiencias! ¡Aprenda más sobre Kosmologia y Dreaming / Undreaming aquí!
September 05, 2021
ADAWelcomes Chía Patiño
As of today I’m officially being represented by ADA Artist Management, I am very excited to join their roster! Click the button below to visit my profile at ADA Artis Management website.
La reconocida agencia norteamericana suma a su grupo de artistas a la directora escénica Chía Patiño.
“ADA trabaja para identificar nuevos talentos y fomentar las carreras de los mejores artistas que se destacan en una variedad de géneros y repertorios, desde artistas emergentes hasta artistas de renombre internacional. La agencia trabaja desde 2004 en construir relaciones positivas en toda la industria.”
